: : 生活的藝術 : :

死了都要愛　不淋漓盡致不痛快　感情多深只有這樣才足夠表白 死了都要愛　不哭到微笑不痛快　宇宙毀滅心還在 把每天當成是末日來相愛　一分一秒都美到淚水掉下來 不理會別人是看好或看壞　只要你勇敢跟我來 愛　不用刻意安排　憑感覺去親吻相擁就會很愉快 享受現在　別一開懷就怕受傷害　許多奇蹟我們相信才會存在 死了都要愛　不淋漓盡致不痛快　感情多深只有這樣才足夠表白 死了都要愛　不哭到微笑不痛快　宇宙毀滅心還在 窮途末路都要愛　不極度浪漫不痛快　髮會雪白　土會掩埋　思念不腐壞 到絕路都要愛　不天荒地老不痛快　不怕熱愛變火海　愛到沸騰才精采

作曲：Blow/ Green/ Matheney/ Hutchinson/ Westbrook 填詞：軟硬天師 編曲：王利名 同志乜你今朝又咁遲 去搵川保久鈴定係山本耀司 梗係摸咗落去中環嘅JOYCE 再過埋隔離果間啫啫AMARNY 我盲目朝拜各國各款名牌子 搵返最相熟果個女SELLS 攞完DISCOUNT再跟住去數銀紙 多謝6萬7千找返兩毫紙 我凈係買件T-Shirt係Over Size 上便印住一個好鬼大嘅“C”字 究竟呢件嘅嘢係咩料子 係黎自義大利嘅無敵新名牌子 叫做ITALIANO加HILOMOICHI 我猛咁點頭扮曬懶有TASTE 準備轉身立埋HISIMIAKI 點知佢話聽朝有PRESELL 我就興過火屎 瘋狂嘅DESIGN有JPG 金魚缸笠頭十足怪物小王子 著住COMTIGESONG走去逼巴士 孭個鴨仔袋就話係設計師 襯條501嘅LEVIS 著咗Dr. MARTIN就好似行得快D 曾幾何時靚仔都著BALLY 鹹魚翻生又有KICKERS 生活嘅創庫我會走去YUNI 大院有名貴雪糕糯米糍 都叫COMER加怡大戰HISIMIAKI COMSAK無力砍BEGISCONALY CB COMPANY發夢贏咗YOUGI BADMINTON個細佬叫BOSINI 永遠懷念興發街果間ESPIRIT 其實呢D牌子都只係...FANS 我既然扮得設計師 就要HEADQUARTER搵阿高佬JACKY 電翻個靚頭學TURN SHANTAKI 點知電完出黎似我偶像希斯 又有D似荷蘭果個古列治 電咗個靚頭梗要約人開P 我落完SOHO再落JJ‘s 佢話MEMBERS ONLY 我話我有FACE 我識得大傻可否通融D 佢一腳伸我過咗尖東海皮 我一身名牌佢都對我如此 究竟點樣先係一個成功YUPPIES 其實呢D通通都係物質主義 過分沉迷就會呆呆癡癡 做人千萬不可玩物喪志 樣樣先都係要適可而止 同志

集合視覺藝術、音樂、攝影、寫作、電影、電腦動畫等創作於一身的Laurie Anderson，將表演藝術帶進主流市場，也將流行文化帶向前衛的境界，堪稱前衛藝術表演家。Laurie Anderson屬於那種帶有女權傾向的前衛音樂家，在她短暫地向流行進軍了一首“O Superman”之後，她開始比那年代其他的先鋒派更加熱衷於在公眾場所的演出。她本身的音樂就帶有強烈的表演性質，比如在裝置怪異的舞臺上拉個裝有馬桶的電子小提琴之類結合各種表現藝術手法的表演。Laurie Anderson生於1947年的芝加哥，年輕的時候學習小提琴，大學就讀於美術史係，畢業後在大學教授藝術史和埃及建築學。這些學歷成為了她以後音樂創作的大部分內容。1976年開始，她的演出地點遍及南美和歐洲各類博物館、音樂廳和各地藝術節。她的音樂風格主張表達為文字和語言，她的演出也著重強調觀看的形式和剪輯技術。 The Ugly One With The Jewels - Laurie Anderson In 1974, I went to Mexico to visit my brother who was working as an anthropologist with Tsutsil Indians, the last surviving Mayan tribe. And the Tsutsil speak a lovely birdlike language and are quite tiny physically; I towered over them. Mostly, I spent my days following the women around since my brother wasn't really allowed to do this. We got up at 3am and began to separate the corn into three colors. And we boiled it, ran to the mill and back, and finally started to make the tortillas. Now all the other women's tortillas were 360 degrees, perfectly toasted, perfectly round; and after a lot of practice mine were still lobe-sided and charred. And when they thought I wasn't looking they threw them to the dogs. After breakfast we spent the rest of the day down at the river watching the goats and braiding and unbraiding each others hair. So usually there wasn't that much to report. One day the women decided to braid my hair Tsutsil-style. After they did this I saw my reflection in a puddle. I looked ridiculous but they said, "Before we did this you were ugly, but now maybe you will find a husband." I lived within in a yurt, a thatched structure shaped like a cob cake. And there is a central fireplace ringed by sleeping shelves sort of like a dry beaver down. Now my Tsutsil name was Lausha, which loosely translated means "the ugly one with the jewels." Now ugly, Okay, I was awfully tall by local standards. But what did they mean by the jewels? I didn't find out what this meant until one night, when I was taking my contact lenses out, and since I'd lost the case I was carefully placing them on the sleeping shelf; suddenly I noticed that everyone was staring at me and I realized that none of the Tsutsil had ever seen glasses, much less contacts, and that these were the jewels, the transparent, perfectly round, jewels that I carefully hid on the shelf at night and then put for safekeeping into my eyes every morning. So I may have been ugly but so what? I had the jewels. Full fathom thy father lies Of his bones are coral made Those are pearls that were his eyes Nothing of him that doth fade But that suffers a sea change Into something rich and strange And I alone am left to tell the tale Call me Ishmael

Era - The Mass Semper crescis Aut decrescis Vita detestabilis Nunc obdurat Et tunc curat Ludo mentis aciem Nunc obdurat Et tunc curat Ludo mentis aciem Egestatem Potestatem Dissolvit ut glaciem Divano Divano me Divano messi Divano messia Divano messia Divano Divano me Divano messia Divano messia Sors salutis Et virtutis Michi nunc contraria Est affectus Et defectus Semper in angaria Hac in hora Sine mora Corde pulsum tangite Divano Divano me Divano messi Divano messia Divano messia Divano Divano me Divano messia Divano messia In divanooooo Sors salutis Et virtutis Michi nunc contraria Est affectus Et defectus Semper in angaria Hac in hora Sine mora Corde pulsum tangite Divano Divano me Divano messi Divano messia Divano messia Divano Divano me Divano messia Divano messia Hac in hora Sine mora Corde pulsum tangite Quod per sortem Sternit fortem Mecum omnes plangite

2005 男聲 JB Maunier（Jean-Baptiste Maunier，” 放牛班的春天 ” [Les Choristes] 中的小男主角） 女聲 Clémence Saint-Preux（原作曲家的女兒） 曲名 Concerto pour deux voix（Concert for Ome Voice），60 年代吟唱女歌手 Danielle Licari 的招牌曲 作曲 Saint-Preux